Do This In Memory Of Me

A YOUNG-ADULT NOVEL EXCERPT

Anticipated publication date: April 2008

© Lee Harrington 1999

 

 

            Here's our history.  If knowing who we were then will give you a better sense of who we are now then here's our history.  If knowing when things went wrong is important to you, if being able to trace things back to some road less traveled, the roads we traveled, then here's our history.  But I'm telling you, history doesn't repeat itself.  It can't, unless people and situations stay exactly the same.   History doesn't repeat itself so much as it echoes.  Our past is a sound wave getting fainter and fainter as more time goes by.  Sometimes I can barely hear it.

            The six of us--Scott, Tenny, Bailey, Roll Bar, Wally and I--met on move-in day at Darlington Hall, a low-rise dorm famous for keg parties, co-ed bathrooms, and guy who sold mushrooms in Room Seventeen.  Fresh out of high school, the banners of popularity waved high in our minds, and we were ravenous for quick, new friends.  Tenny was my roommate, Bailey and Roll Bar (good friends from high school) lived across the hall, and exotic Scott, by some glitch of the computer, was assigned to live with Wally right next door.  Within days of our meeting, our life stories had been exchanged, our strengths and weaknesses defined, and the six-cornered foundation of a new clique was set.  Tenny was the beautiful one, Wally--there on scholarship--was the intellect and Roll Bar was the rude, crude, he-man with a patented series of grunts and belches he could substitute for words.  Scott, with her quick retorts and her George Elliot T-shirts, was our token feminist and Bailey, if he could be categorized at all, was simply our nucleus, our patriarch, that live-for-the-moment person we all secretly wanted to be, or at least be near.  I, by process of elimination, became the artsy one, the painting major, the eternal wearer of black.   

            As a freshman I wasn't sure who I was, or more specifically, who I wanted to be, but I saw in those first what's-your-major-where-are-you-from conversations an opportunity to recreate myself, a chance to become all that I was not.  Up to that point I had been your basic awkward red-head--a friendless, motherless, chinos-and-Izod--wearing product of a Catholic school--whose father was a stern and imposing Episcopal priest. I was so shy and quiet my neck had a permanent crease in it from my looking down all the time, and my voice was perpetually unrehearsed.  To top that I was named Agnes, after Saint Agnes, one of those beautiful young stoic virgins who was burned at the stake by Romans because she wouldn't give up the funk.  It was the kind of name that preceded me, just as my too-large breasts preceded me, and gave my schoolmates first impressions of me that just weren't true.  Up until college my life had been a consistent and incontestable series of no's.  No kissing no gum chewing no running in the halls.  No friends allowed to sleep over and no by God no sleeping over anyone else's house.  No touching no looking down there don't even think about thinking about a boy.  No dating no makeup no bra until you're sixteen, even if you are fully developed at twelve.  No skirts above the knee no wrinkles in those skirts don't even think of how wrinkled your father's scrotum was that time you accidentally saw it, when you were sneaking into his room to look at pictures of your mother and he was snoring, naked, on the bed.  If you can't do it in my presence, my father and the nuns seemed to say, then you shouldn't be doing it at all. 

            Bailey had the opposite opinion.  Instead of saying no to trouble, he said yes.  For Halloween he liked to dress up as Molly Bloom and wander through keg parties in laced boots and a frock, as he called it, reciting yes, I said, yes yes yes.  But that alone does not characterize Jay Bailey.  Bailey was an incurable prankster, who spent as much time masterminding how to sneak buckets of squid into the bursar's office as Wally spent on his textbooks--which was hours.  He'd rise at dawn to put dish soap in the public fountains, fill our shampoo bottles with Golden Bear honey, and stay up until three in order to wire our speakers to his stereo.  Then, at six or so, he'd blast "Swamp" into our bedroom as a wake-up call, or perhaps "Burning Down the House."   No one actually saw Bailey carrying out these pranks of his, because he was the sort of person who never got caught, but we knew from the smile on his face as he rode his skateboard down the hallway, or winked at us outside the bathroom door before we took our showers, that he was responsible.  It was all in the smile.  Jay Bailey had the sort of handsome, conniving, irresistible smile that on a second look said he thoroughly amused himself and would not hesitate to do so at your expense.  Bailey used this smile to charm the cafeteria ladies, to cajole our poor R.A. into letting us keep kegs in the bathtubs and, later, to seduce hoards of women, who couldn't have known that seduction, to Bailey, was also a prank.  Except, of course, in Scott's case. 

            In high school Scott had been on the fencing team and on bad days she could cut you to shreds with her tongue.   Hers was any icy beauty, slick and precise, and she had a low voice that made you think of smoke and jazz and the color blue.  She was tall and lean--five-eleven, like Tenny--but her gestures were quick and masculine.   At volleyball she played the net and had the ability to smash volleys straight at your scalp.  To me she was a little intimidating, but at the same time there was something distant about her, something dark and unknowable, that made us want to please her all the more.    Scott had not one but two majors: World History and Women’s' Studies, and when she studied her naturally plump red mouth tightened itself into a thin pale line, the line of a serious contender. 

            Scott was a Palmer, a Boston Palmer, as in Palmer Confections, whose exquisitely detailed tins were almost as famous as the powdered candies themselves.  By the time we all met, everyone's grandmother had a collection of Palmer tins, in which they stored paper clips, safety pins, extra buttons and the like.  "My mother kept my baby teeth in them," Bailey said when we first got on the subject.  "I'll have her bring the tin up and show you."  "No thanks," Scott said, looking at him strangely.  "That would kind of gross me out."   Once a month, Scott’s father would FedEx a case of candies, most of which never made it into our mouths.  Bailey would pitch sour balls at moving targets and Roll Bar would see how many Apricot Dandies he could stuff in his nose.   Tenny and I found them in our lingerie drawers, inside the cups of our bras.  "Think of them as sachets," Scott would say, and shrug, refusing to give those boys the expected reaction of horror.  Then she'd crunch the candy, because Scott could never wait for anything to just dissolve.

            Tenny.  The first thing anyone ever noticed about my roommate was her beauty: the blonde hair, the blue eyes, the leonine neck, the model-quality legs.  She had a face that seemed carved out of ivory, by a man who was in love with her, in love with the world, and in love with his love.  Bailey always said Tenny was beauty personified; a feel-good movie he would call her, because not only was she physically perfect; her thoughts were always sunny and her life was paved with gold.  One look at Tenny and people believed there was goodness in the world, that there was justice and truth.  In her presence, people smiled more often and spoke kind words.

            As her roommate, I always had the advantage of being closer to Tenny, of witnessing her small daily miracles first-hand, and I cherished this privilege.  I loved waking up every morning to witness her excitement, to feel with her the promise of a new day.  I loved the fact that she found me interesting, that, after a week or so of living together, she hugged me warmly and declared me her "new best friend."  She told me I was nice, pretty, considerate, caring, smart!   I loved how many heads turned when we walked through the dining commons.  I loved it when Roll Bar said, "Hot babe alert!" when we came down the hall.  I allowed myself to believe that just by being around Tenny meant that some of her beauty was rubbing off on me.    

            Tenny was extremely close to her family--a fact that intrigued and astounded all of us.  We were eighteen!  Of course we still had issues with our parents; of course we still smarted from their far-reaching assertions of authority.   But not my roommate.  Her father taught at McCauley and her mother appeared on talk shows on daytime TV.  She saw them, at least from a distance, every day.  I'd see them, too: Big Bill, the tall English professor, the renowned Fitzgerald scholar, who had named his five daughters after characters from his favorite F. Scott books, strolling across campus surrounded by students and smoking his signature cherry pipe.  And Madeleine, Tenny's mother, the peppy psychiatrist, whom we'd watch every afternoon at four, first as the invited "expert" on minor talk shows, commenting on eating disorders or why men cheat, and then with a show of her own.  Madeleine! was the name of the show, complete with exclamation point, written in a pink neon script.  Big Bill and Madeleine always treated the six of us like family, extending an open invitation to visit them any time whether we were with their daughter or not.

            "Here, take some money,” Tenny said when her mother gave her cash to buy clothes.  Her mother gave us books, record albums, skin creams, all promo items from people anxious to get on her show.  Tenny called her mother "our mother"--meaning her and me--and any package sent was sent to us.  I belonged to a family in a way I had never known.  In a way that felt real and glorious. 

            On Sundays she'd drag me to their house for dinner, where she would share with them stories of exploits that I could never, ever tell my own father.  He wouldn't have even wanted me to witness such antics on TV.  He would have called it shameful, pornography.  But Tenny's father roared with laughter as she told him, say, that she got so drunk last night she returned to the wrong dorm room after a trip to the bathroom to puke, and ended up crawling naked on top of Roll Bar.

            "Oh, my, goodness," Bill would say, holding his stomach.  "And then what?"

            "I fell asleep," Tenny said.  "We laughed about it in the morning."

            Each morning Tenny slept through two alarm clocks and then skipped afternoon classes to work on her tan.  She loved Dynasty and MTV, loved to watch day time soap operas in her fluffy pink robe, and loved, when she was a film major, to bring out her little Super-8 camera and make us pretend we were making a video for Duran Duran.   Because of these loves she was constantly late in handing in her papers and mid-term projects and such, but still she got A's in all her courses, because hers was the kind of beauty that made people want to give her things.  Bus drivers waved her through turnstiles and bartenders gave her free Greyhounds--and little napkins with their phone numbers on it, which she used to blot her lipstick in the bathroom mirror, or wrap up her stale gum.  "Girls like you have got it made," Roll Bar would say as Tenny came home with six tickets to a Clash concert that was technically sold out.  "All you have to do is stand there and let the world worship your ass."

            Tenny got a true kick out of life, and within the first four months of college she changed her major about seven times.  Back then a lot of us declared our majors as casually as we now order things from Kitsch's menu: we chose what sounded good, what would please us at the moment, knowing that if we didn't like it we could always send it back, or order something different the next time around.  Our parents were paying, after all.  And Tenny greeted each new subject with as much enthusiasm as she had the last.  "I had so much fun as a French major," she would say, thumbing once again through the dog-eared course catalog.   "Do you think Italian would be good?"  To Tenny college was an enormous salad bar, an all-you-can-eat buffet, and she had the fearlessness and the metabolism to consume it all.

            Roll Bar's real name was Gunter.  This name came not because of any Nordic ancestry, but because his daughter-of-an-ambassador mother wanted her children to have exotic-sounding names.  He had two brothers named Ivan and Ricardo and three sisters named Maya, Towanda and Albertine.  "I thought it would make them think twice about privilege and stereotypes," she told me once at a Parent's Weekend.   But Roll Bar wasn't the type to think twice.  He barely thought once.

             In high school, Roll Bar had been a football star and he carried himself as though he were always waiting for a band to play and the crowd to break out in a wave.  At six-foot-four, Roll Bar had huge shoulders, well-defined biceps and the largest hands we had ever seen; an indicator, he liked to remind us, of the gargantuan size of his hog.  He was handsome from a distance but merely interesting-looking up close, because his teeth were crooked and his nose had been bent to the right in the roll bar accident, but he walked with the confidence of a man who is assured a position in his father's chemical company, "provided you buckle your ass down and goddamn graduate," his father had said.  Meanwhile, Roll Bar rarely attended any of his chemical engineering classes, but his primary interests seemed to be drinking, cat-calling, and lifting weights.  Our gentle giant, we called him.  Around the boys, his oaf qualities came out of him, but with us he was thoughtful, he listened, he gave surprisingly articulate advice.  And his eyes were so blue and mesmerizing and his eyelashes so uncannily long, we forgave him a lot of things: his habit of making us stop conversations to listen to him fart, his eloquence when it came to talking about "chicks," and the fact that he wore his varsity football jacket well into senior year.  "Give it up," Wally would finally say at graduation.  "I think it's safe to say the chicks just aren't impressed."

            Wally, our token scholar, edited the school newspaper, presided over the computer club and, later, would graduate top of our class.  He carried his intelligence in the same way Tenny carried her beauty, that is, he seemed only half-aware that he was blessed.  When he wasn't studying or reading Sartre for pleasure, Wally could be found watching Monty Python re-runs, smoking pot (to slow down his brain, he always explained), or catering to Scott, to whom he was devoted in a suspiciously fraternal way.   Without his glasses Wally was boyishly handsome, but he seemed not to be aware of this, because without his glasses he was also as blind as a bat.  He had that messy-haired, distracted look usually found master chess players and computer CEO's, and he refused to wear anything but a green pair of khakis and a white oxford shirts.  Wally owned twelve of each, which he would wear with a Brooks Brothers belt and a pair of worn leather loafers.  Every two weeks or so he would drive to Laundro Express and zip through a volume of Proust in the time it took the Laundro Express ladies to wash and iron his clothes.  Wally's genius--and his long, lanky body--was fueled entirely by Hostess products and thick, black coffee, which he would steal from the dining commons in a large Pyrex thermos he kept hidden in his bag.  "We have a coffee maker," I would tell him as we left the dining commons with the thermos plus twelve tuna sandwiches for a late-night snack.  "You don't have to steal it if you don't want."

            "Stolen foodstuffs," Bailey would say, sticking his face close to mine.  "Always taste better than those legitimately purchased.  Don't tell me you didn't know that."

            There was a lot I didn't know, at eighteen.  But I was willing to learn.  First, I became an art major.  Doing that, becoming an art major, was easy.  It would take me years to realize that talent was only a small part of being an artist--you had to have vision and steel--toed determination and someone like Jay Bailey in your past to douse your raw heart with gasoline and set it on fire.  Then, and only then, could you be a real artist.  But in the meantime, in the easy years of college, I got myself accepted into the Fine Arts program, proved to have enough technical talent to earn myself a scholarship the following year, and spent many a day painting sweet, proper things--flowers and landscapes and women drinking tea in sunny backyards.   I learned how to rip strategic holes in my jeans, how to lean disdainfully over my morning cup of espresso, as if it pained me to do something so common as to breathe this bourgeois air, and even how to smoke Galouises, the red kind, the kind that make you choke if you don't inhale with expertise.

 

            "You smoke?" Scott had said on move-in day.  The six of us were gathered in the Darlington Hall lounge, a strategically ugly room with a coarse brown rug, concrete walls, and bright orange furniture of the wood and vinyl school that seemed to have been built for the specific purpose of discomfort.  We had left our childhoods only hours earlier, and already we seemed determined to do everything and anything forbidden us under our parents' roofs. 

            For years I would get that kind of response when people met me.  You smoke? You drink? You give blow jobs and even swallow?  It was my face, I guess.  And my sundresses and the white skin.  The freckles.  If I did these things than everyone's little sister did these things too and the world had gone to pot.  You have HIV?

            Scott looked me up and down that day the way she would always look at me: as if suspect that someone of my countenance could exist.  Her face was all angles and her eyes blazed with confidence.  She seemed to have already done everything worth doing by the time she was twelve.   "You don't look like a smoker." She peeled the silent cellophane from a pack of Marlboros and tapped one out.  "You look like one of those Amish people who make their own clothing and never drink Coke."  She lit a cigarette, leaned back, and blew a perfect smoke ring with her perfect red lips.  "In a good way, of course."

            "I'm the girl who lit the wrong end the first time I tried one and laminated my lungs," Tenny said.

             "I smoke sometimes," I said, lying.  "We used to steal Virginia Slims from my neighbor's mom."   But as I leaned forward to take the cigarette Scott offered the vinyl stuck to my thighs like adhesive.  Or like a conscience trying to hold me back.

            "So did we," Bailey said, taking the lighter from Scott's hands.  "Me and Roll Bar.  Used to steal Virginia Slims from his mom!"

            He snapped the Bic quickly and a flame appeared a flame which he held out to me.  Boldly, I looked into Bailey's eyes for the official first time.   He seemed unscarred by the past, not in the least bit afraid of his future, and fully convinced that he would never get punished for anything he did on the present day.  "Madame?" he said.

            I held the cigarette in my palm.   It felt harmlessly light, benevolent even, and I closed my eyes and leaned toward Bailey's flame.   That first breath of smoke choked me, a shock of foul forest-tasting smog, but I coughed in what I hoped was an artsy way. 

            "That's darling," Bailey said, and a new me was born. 

            Back in college, everyone had a nickname and if you didn't--say you were visiting for the weekend--Jay Bailey would give you one.  My full nickname was My Darling Clementine, shortened to just plain Darling or Darley by our junior year.  And Tenny was so named because she was A Perfect Ten.  In those days being merely pretty carried little weight--you had to have full curves, blonde hair, and legs so long they wouldn't fit underneath the dining hall tables to be called a perfect ten.   Scott wouldn't let us give her a goddamn nickname, but secretly Bailey called her Pap, as in Pap smear, as in the first initials of her full name: Prescott Arden Palmer the Second.  Seriously.  Scott was named after her Dad.  Wally's real nickname was Wall Street, because of the journal he read daily and because of that fact that, at eighteen, he already knew exactly what he wanted to do, which was to major in finance, spend each summer at his uncle's brokerage in New York, and make a million dollars by the time he was thirty-one.  And the name Roll Bar came from the days when Bailey and the former Gunter were ten years old and playing street hockey together and little Gunter smashed his nose to the right on the make-shift hockey net.

            Newly christened, we became like super-heroes, each of us capable of our own cartoonish feats.  My job was to point out the visual possibilities of all our antics.  I drew quick caricatures in salt on the dining hall tables, painted exquisite graffiti on the elevator walls.  Tenny's job was to gain us entrance.  Scott made sure we took no shit.  As a group we were indestructible.  Individually, too, we fed off each other's super-human powers.  Backed by Tenny's beauty, Scott's fearlessness, and Wally's brain, I became invincible, more powerful than I could ever have been on my own. 

            Darley.  By that name, I used to think, I would be invoked by all generations to come. 

 

            By the end of the first week at our large state college, we were eating our meals together, studying for tests together, even brushing our teeth together, twice a day, side by side.  As an only child, I had never experienced this kind of closeness before, especially with boys, and I felt more alive and justified than I ever had in my life.  To speak in the first person plural!  Tenny's unconditional fondness, Scott's playful bantering, Bailey's chummy good night kisses after we had all brushed our teeth were proof to me that I was acceptable.  That I, St. Agnes, was well-liked.   I loved the fact that there, in the small but limitless world of our dorm, the six of us became woven so tightly into one another' lives that most private details--from Bailey's third nipple to Scott's menstrual cramps--became common knowledge within weeks.  We learned that Tenny liked to put oatmeal masks on her face every evening.  We learned that Wally had a stomach problem and was addicted to Tums.  From Roll Bar we learned never to use the bathroom at six o'clock because every evening, at around five, Mother Nature would call and he'd spend the next half-hour reading Wally's Wall Street Journal in the bathroom stall.  "I can't believe I have to schedule my shower around someone's bowel movements," Scott would say, pacing the hallway in her robe.  She crunched a lemon drop.  "This wasn't in the college brochure.” We discovered that if Tenny and I yelled really loudly into our electrical socket, Scott and Wally could hear us through theirs.  Bailey had no hairs on his chest.   As for me, they found out that I was a priest's daughter, a recovering product of Catholic school, and that I had never really done anything wrong in my life. 

            "Nothing?" Roll Bar said.  The six of us were gathered in Bailey and Roll Bar's room on what was our first official weekend of college, waiting for someone to decide what to do.  I remember being thrilled to be part of something, even if that something was indecision.  It was warm that night and with the windows open we could hear the sounds of a simmering fall campus waiting to boil.  Ten separate stereos played ten separate songs, a group of girls' laughter rose and fell like the flight of a bird, and from somewhere close by I heard the snap, hiss and curl of a beer can tap. 

            "You never stole a Butterfinger from Woolworth's?"  Roll Bar said.  "Never accidentally kill a rabbit with a lawn mower?"

            I shook my head no.  The maleness of that room was exciting to me in a foreign way.  There were football trophies and girlie posters and a huge world map, and it even smelled what I assumed to be masculine, as if their clothes and bedspreads had been balled up in a basement somewhere for a period of months.

            "Never cheated on a test at school?" Wally said.  "Or even at cards?"

            "So I take it you never puked in the girl’s room at school dances?" Bailey said.      "I never drank."

            All eyes were on me.  My face at that point was the color of the bombardment ball Bailey was tossing back and forth in his hands.   I shrugged and laughed.   "The opportunity didn't present itself much, unless you include the Blood of Christ."

            Tenny looked up from her toenails, which she was painting Heartbreak Red.  "Blood of Christ sounds so disgusting."  She was sitting at the foot of Bailey's bed in her pink frilly nightgown, which she would always wear until about an hour before we went out.  "The first drink I ever drank was green vodka.  My sister Zelda sneaked it out of our father's liquor cabinets in a Scope bottle, so to disguise it better she colored it green."

            I looked out the window in time to see a pair of underwear float by.  Or perhaps it was a plastic bag.  I imagined it would continue its formless flight until it got snagged on a tree.

            Scott handed me a cigarette.  "What about spin the bottle?" she said.  "Did you play that at those junior high school parties?"

            "She wasn't allowed to go to parties," Tenny said, patting the top of my head.  "We wish we had known each other in high school, because I'm the girl whose parents let everyone come to our house.  They thought it was better for us to drink in front of them than out on the streets.  Like Poughkeepsie has streets. Poor Darley has never even been to a sleep over before."

            "Well, with a body like that," Scott said, pointing at my breasts with her lighter.  "I can understand why your father didn't want you going out of the house.  Ooh la la." 

            Feeling my face turn red, I tried to slouch so that my body was somewhat hidden.

            "Can't hide the fact that you're a brick house, Darl," Roll Bar said.

            "Weren't you bored?" Bailey said.  "Always staying out of trouble like that?"

            "I guess. But I didn't think I was missing out in anything.  No one at my school went out."

            Bailey stood.  "There's only one thing to do here."  He set the needle onto Side One of Tattoo You and held his body still until the needle grabbed "Start Me Up."  Then he air-guitared his way across the room.   "Let's get hammered."

            I felt the music move through my body like foreboding and true goosebumps rose on my skin.   "How are you going to get alcohol?" I said with a thrill in my voice.

            "I know where we can find a bottle of vodka," Bailey said.  "Plus two cases of beer."

            Of course Bailey had vodka.  He seemed to have anything anyone ever needed at anytime.  He announced that we were going to play quarters and led us all to the lounge.  We followed him like disciples, and sat where he instructed us at the wooden lounge table: me, Roll Bar, Scott, Wally, Tenny, then Bailey at my right.  For the rest of our years together we would sit like this--in the dining commons, at Mecklenburg's, and later, at Kitsch--with me almost but not quite touching Bailey's knee.

            "Darling has to go first, since this is her initiation," he said, handing me a quarter, and as I took the coin, warm from his palm, I had the sensation that my life was about to change.

            Bailey taught me the complicated rules of quarters--bounce it into the glass, point at someone to drink, bounce again--and he also taught me how to drink. That is, how to drink to get drunk.  Vodka, he explained--showing me how to bounce the quarter on the flat part, not the edge--was stronger that Lowenbrau and it went to your head quicker if you pounded it with something fizzy, or drank it through a straw.   If you don't really want to taste the vodka, he said, clinking the quarter into the glass, you aim for the back of your throat.  "Now, pound that liquid." He fished the quarter out with his fingers and handed me a shot.  I sipped the vodka and shuddered.  Drinking something so vile seemed to me a brave thing, something arrogant and adult, so I stuck my pinky out and downed it.  Everyone clapped.  I felt oddly alive as the vodka singed my insides, as if I'd received an electric shock.  "I still don't feel drunk, though," I said a few drinks later, straightening up importantly in my chair.          

            "Wait until you try to stand," Tenny said.  She wiped the quarter on a tissue before bouncing it.   "You really have to be careful, Darl."   Later she would gets her words crossed and tell me to be dareful, Carl.

            She was right, of course.  But in the meantime, I continued to drink.  We joked, laughed, exchanged stories, smoked cigarettes, sent the quarters glass around and around.  Hours passed, the sun set, and the more I drank the more, it seemed, I became the center of attention.  The world got smaller until it was only us, there in that room.  At some point our game changed from quarters to some form of "I Never," in which they all wanted to know what kind of bad things I hadn't done.  Have you ever snuck out of the house, Scott wanted to know.  Stolen money from your folks, Roll Bar asked.  No, no, no, I kept answering as the eternal quarter clinked.   For the first time in my life, I felt truly interesting, and would have told them anything at that point, just to see them smile.  I told them stories of nuns, saints, masses, familiar things to me that, for some reason, made the others laugh.

            "Are you religious?" Scott said.

            "Not really," I said.  "I believe in God, I think.  But I've never really thought that hard about it.  It's just what I've been taught."

            "I'm not religious," Scott said.   She tried to raise a beer bottle to her lips but smacked it into her chin.  "I think Catholicism sucks."

            "From now on," Bailey said.  "Our religion is booze."  And he poured us all champagne.  How and when the champagne got there I couldn't be sure.  All I know is that with every glass I drank, the scene seemed to expand before my eyes into something significant and profound.   As the hours passed and we somehow and segue-wayed from champagne to peach schnapps, I realized that every person in that room was somehow connected--directly and elementally--to my life!   These were my friends!   I loved them so much.  We had so much in common--we were college freshmen!-and I was so happy to be in this room.   I watched their faces, listened to their laughter, saw how the lights from the quad outside gave the room an unearthly yellow glow.  David Bowie's “Golden Years” played in the background like our own personal soundtrack, and as I looked around it seemed our movements were choreographed to the beat.  Tenny's flash of smile.  Roll Bar crushing a can with his fist.  Scott throwing her head back to laugh.  So beautiful.  Wally lighting a bowl.  I found myself becoming strangely sentimental, for this moment, for my new friends, and I told myself to concentrate on the song, the smells, the voices of my friends, whom I loved so, so much.  It was the first time I experienced to motion of missing the people who were still in the room.  Bowie's lyrics suddenly seemed tailored to me:  I'll stick with you baby for a thousand years. Nothing's gonna touch you in these golden years.

            Bailey left the lounge.  To drain the dragon or something stupid like that.  See a man about a horse.  The door seemed to yawn shut behind him, as if the entire room would now be bored.   I put my head down, just for a minute, until he came back.

            "Darley, did you hear me?" Bailey said, and I looked at him, he was back! and I realized he was the love, love, love of my life.  "I said, are you all right?"

            "Yes," I said.  "Why?"  Then, of course, my insides contracted two or three times and I vomited, before I even knew what was going to happen.  The minute someone calls attention to the state of your stomach like that, you're bound to puke.  Perhaps Bailey knew.  In any case, I puked all over Tenny's slippers and part of Wally's day-seven pants.  Then Roll Bar, I'm told, slung me over his shoulder like Tarzan and carried me down the hall.  I kind of remember how long and bumpy that short journey felt, how I knew without opening my eyes that he had taken the first door to the bathroom and then carried me past the shower stalls.  I remember smelling Tenny's Yardley English Lavender and I feeling a crusty shower curtain brush against my face.  We turned right past the sinks and past the row of brightly lit mirrors and then I was being lowered gently toward a toilet until its cold seat pressed against my face.  Strands of hair were stuck to my chin and I wanted to wipe them off but couldn't; my hand seemed too heavy and too foreign to lift.  "Stop eating your hair," Bailey whispered, close to my face.  He brushed the hair from my face with his nose.   God knows how long he had been there, and where Roll Bar had gone, but I realized it was Bailey's hands that were holding me up.  I vomited one last time, then let my body go slack, or rather slacker, and asked Bailey to take me to my room.  He told me to put my arms around his neck and he carried me like that in his arms.  I had to keep my eyes closed because opening them made me feel terribly dizzy, but I swear I could feel Bailey smiling at me, that smile.  There was talk as he carried me across the threshold and placed me carefully on the bed.  Muffled, soothing voices, his voice, words I didn't understand, and I felt like a baby, pre-language, soothed by just a sound.  He pulled the covers over me, tucked me in.  Then I think he kissed my head.

            When I woke up in the morning, with my memory fuzzy and my throat boiled raw from bile, I felt something had changed significantly.  I saw it in the way Scott brought me a cup of hot echinacea tea in the morning, in the way Roll Bar tried to snap at me in the showers with his towel.  I was one of them now.  And through them, with them, and in them I had entered a new zone of experience from which I could never turn back.